Digitally remastered reissue. Barry Thomas Goldberg was 23 in 1974, the year his Minneapolis power pop group, The Batch, split up. Rudderless, he set about recording solo album Misty Flats, and though few would hear it in it's day, he hit on something very special indeed. Where The Batch were a harmony-drenched power pop band in the mold of Big Star and The Rubinoos, Misty Flats was an album of ecstatic desolation, an unhinged loner-folk gem that came from a unique place: "I wanted to make the first punk rock album, and if I'd recorded those songs with a band, maybe that's what it would've been," Goldberg says. The album was, instead, recorded in mono in a two-day recording binge on a two-track Ampex tape machine. It features just Goldberg and his friend Michael Yonkers, author of the cult 1968 LP Microminiature Love, playing guitar, bass, harmonica, and vocals between them. Back in '74, Yonkers had crushed several vertebrae at work and used his payoff to fund five albums: four of his own and Goldberg's Misty Flats, which was pressed in a run of just 500. "We were into art, not commerce," notes Goldberg now, but at the time he was frustrated his album was allowed to drift off into obscurity. Goldberg forged ahead to record a 24-track rock album called Winter Summer which languishes in the vault to this day; Misty Flats, however, is finally widely available.
Goldberg, "Misty Flats"
Light in the Attic